If you like steampunk and epic tradgedies, The Dolls of New Albion, A Steampunk Opera is for you. Friends of mine put it on as a show, with music performed live and some amazing dancing, and this is a recording of that show.
The Alnwick Poison Garden is pretty much what you’d think it is: a garden full of plants that can kill you (among many other things). Some of the plants are so dangerous that they have to be kept behind bars. [x]
Hey, everyone! This is the creator of Little Girls Are Better At Designing Superheroes Than You, here with a post I thought you all might like. Writer Ted Anderson and I have made a pitch for a superhero comic!
The comic is about nine-year-old Lucia Marquez-Miller, who loves engineering, and uses her telekinetic powers to build and take things apart with her mind. She calls this power her spark!
As Spark, the world’s youngest superhero, she’s a junior member of a superhero team while also trying to live a normal life. Can Lucia juggle her friends and family while also saving the world from supervillains?
We’re posting a 15-page standalone comic here on tumblr to give readers an idea of what the book would be like.
Click “read more” below to continue reading the comic!
This looks really cool. It’s not just retreading the same old tropes: for a start, the lead character talent is telekinetic engineering, rather than telekinetic beating stuff up, and she’s a teenage superhero whose parents drive her to crime scenes.
You know what really gets to me, and I’m sure many know this, is the blatant abuse and betrayal that white photogs display in POC countries. Every time a photo has gotten famous like this photo did in history, the actual focus of the photo is left behind in the dust while the white photog is hailed as a hero for displaying the ills of that country. He didn’t even fucking ask her name. He didn’t ask for 17 years. The world knew nothing about her life and her story. He captured one moment that made him famous and she got nothing.
Every time I see this photo, I seethe.
whats her name though
When I speak about forms of colonialist violence and how it shapes the way we communicate, I hope that seeing this photograph with the above commentary included helps people understand what I mean.
This is how a person becomes reduced to an idea, an image, an accomplishment for someone else. She becomes “Afghan Girl”: a two-dimensional example meant to represent something over which she has no control. Was she ever paid for this photograph, or the second one above?
Why does Steve McCurry speak for her? Why does he control the conversation, why does he control what we can know about her? Where is her voice?
Who is Sharbat Gula?